Alela Diane - To Be Still album flac
To Be Still" is the follow-up to Alela Dianes 2006 debut The Pirates Gospel which brought the Nevada City, CA-reared musician a passionate following across the Globe especially in europe where Alela has a huge fan base.
Have you been wearing holes in your boots out there? Have you been kicking bones in the desert sand? There's a wolf inside the cave, and another in the clouds I've seen them chew and gnaw on the shadows in your eyes
Alela Diane's new record may come as a pleasant surprise to those who haven't checked in on the Portland-based singer-songwriter since 2006's The Pirate's Gospel. On that charming but demo-ish jumble sale of an album Diane sorted through familiar folk forms (sea shanty, blues lament, narrative ballad) with a couple of chords and some sleepy arpeggios. If neither her vision nor her musicianship changed the conversation about the then-full-flowering new folk scene, Diane's arresting voice- simultaneously vehement and serene- put plenty of people on notice, including,. Still, Diane thus far has played in the shadow of better-known Nevada City, Calif. product (and childhood friend) Joanna Newsom. As inevitable the comparison, it's not a very sensitive tool for evaluating either artists' work.
Under exclusive license to Names Records from Alela Diane Menig. Matrix, Runout (CD): FR21169 CD 26655. Mastering SID Code (CD): IFPI L213. Mould SID Code (CD): IFPI 3720.
Album · 2009 · 11 Songs. Alela Diane grew up in rural Northern California (in the same town as pal Joanna Newsom), surrounded by nature and her parents’ fondness for folk and bluegrass. With a voice as haunting as Cat Power, and as weightless and airy as Hope Sandoval, Diane’s music can be fragile and bracing at the same time. Pedal steel guitars and mournful hillbilly tones on tracks like Dry Grass & Shadows or Age Old Blue (where Michael Hurley joins Diane on vocals) are as luminous and tranquil as are her softer trills and the sparkling mandolins and 12-strings on tracks like To Be Still and The Ocean. Alela Diane recently became part of the Portland, OR music scene, and in 2009 lent her vocals to the Headless Heroes project, a collection of cover songs by artists as varied as Vashti Bunyan and Spaceman 3. To Be Still Alela Diane.
Alela Diane's 'To Be Still' may be fairly translucent musically and lyrically, but it is done in the best possible way. Her enchanting voice and captivating harmonies invoke transcendental experiences in the lush worlds her beautiful, poetical prose creates. No matter how transparent you perceive it, this album undoubtedly renders you lost amidst imagery, simple guitar compositions and Diane's captivating stories told by an even more captivating voice. To any criticism put forth for this album.
Focused chiefly on Diane’s voice and acoustic guitar, TO BE STILL recalls both the classic female folk singers like Karen Dalton and the spookier, more associative dimensions of contemporary artists like Marissa Nadler and Nina Nastasia. But while her voice lilts and lulls, it’s the poetry of her lyrics and their evocative narratives that make this sophomore effort truly shine.
Alela Diane Menig (born April 20, 1983), known as Alela Diane, is an American singer-songwriter from Nevada City, California. Diane was born in Nevada City, California on April 20, 1983. She grew up singing with her musician parents and performing in the school choir. Her first recordings were self-released in 2003 as Forest Parade.
To Be Still is the follow-up to psych folk revivalist Alela Diane's ectly-formed debut, The Pirate's Gospel. Diane hails from Nevada City, California, a former Gold Rush town whose heyday is for behind it but nonetheless can boast amid its 3,000-odd population the father of American minimalism, Terry Riley, former Supertramp frontman Roger Hodgson, folk singer Mariee Sioux and harpist and singer-songwriter Joanna Newsom, who has described the town as, ''swarming with artists and hippies. and old prospectors''. Diane is a minstrel who enchants with lyrics all wispy and winsome and a voice as mellow, warm and intoxicating as a patchouli incense burner.
|1||Dry Grass & Shadows||3:12|
|2||White As Diamonds||3:36|
|3||Ages Old Blue||4:00|
|4||To Be Still||5:27|
|5||Take Us Back||4:43|
|6||The Alder Trees||3:28|
- Distributed By – Inertia Pty. Ltd.
- Backing Vocals – Alina Hardin (tracks: 1, 2, 6, 7, 8), Mariee Sioux (tracks: 10), Matt Bauer (tracks: 2), Michael Hurley (tracks: 3), Tom Menig (tracks: 4)
- Banjo – Matt Bauer (tracks: 3, 6, 7, 10)
- Bass – Tom Bevitori (tracks: 1, 2, 3, 4, 6, 7, 8, 10)
- Cello – Luke Janela (tracks: 2, 5, 7)
- Double Bass [Upright Bass] – Rich Stanmyre (tracks: 9, 11)
- Electric Piano [Wurlitzer] – Craig Thomas (tracks: 1)
- Guitar – Nina Gerber (tracks: 4, 10)
- Lead Guitar – Tom Menig (tracks: 9, 11)
- Mandolin – Tom Menig (tracks: 7, 8, 9)
- Mastered By – JJ Golden
- Mixed By – Thom Monahan
- Pedal Steel Guitar – Pete Grant (tracks: 1, 4)
- Percussion – Neal Morgan (tracks: 9), Otto Hauser (tracks: 1, 2, 3, 4, 6, 7, 8)
- Piano – Dan Elkan (tracks: 6)
- Producer – Alela Diane, Dan Elkan
- Producer, Recorded By, Mixed By – Tom Menig
- Recorded By – Adam Selzer
- Twelve-String Guitar – Tom Menig (tracks: 11)
- Violin – Rondi Soule (tracks: 2, 5)
- Vocals, Guitar – Alela Diane
- Whistling – Alela Diane (tracks: 11)
- Written-By – Alela Diane Menig
- Xylophone – Tom Menig (tracks: 9)
Barcode and Other Identifiers
- Barcode: 9 332727 015052
|NAMES33CDPRO||Alela Diane||To Be Still (CD, Album, Promo, Car)||Names||NAMES33CDPRO||UK||2009|
|FR21169||Alela Diane||To Be Still (CD, Album + DVD-V + Ltd, Dig)||Fargo Records||FR21169||Europe||2009|
|RTRADCD 488||Alela Diane||To Be Still (CD, Album, Promo, Car)||Rough Trade Records||RTRADCD 488||US||2009|
|RTRADLP 488||Alela Diane||To Be Still (2xLP, Album, Gat)||Rough Trade||RTRADLP 488||US||2009|
|none||Alela Diane||To Be Still (11xFile, MP3, Album, 320)||Rough Trade||none||USA & Canada||2009|