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Black Keys, The - Turn Blue album flac

  • Performer: Black Keys, The
  • Title: Turn Blue
  • Size FLAC ver: 1214 mb
  • Date of release: 2014
  • Style: Alternative Rock
  • Other formats: TTA WAV MOD DMF FLAC ADX MPC
  • Genre: Rock
  • Rating: 4.6 of 5
Black Keys, The - Turn Blue album flac

Turn Blue is the eighth studio album by American rock duo the Black Keys. It was co-produced by Danger Mouse and the band, and was released on Nonesuch Records on May 12, 2014. The record was the group's fourth collaboration with Danger Mouse, following their previous studio album, El Camino (2011), which was their biggest commercial and critical success to that point

Turn Blue finds the Black Keys getting deep with themselves in several ways; Auerbach recently told Rolling Stone that the band set out to make a singles-bereft "Headphone record," and he's alluded elsewhere that his messy, allegation-laden divorce proceedings-which, in a elf touch, once was believed to include a lock of Bob Dylan's. hair-lent the album a "melancholy" vibe. Appropriately, Turn Blue sounds distant and subdued, a murky-sounding collection of '70s stoner-rock facsimiles and swirling gray tones that, for the most part, are.

Turn Blue, the Black Keys‘ eighth studio album, opens with seven minutes of slow burn and eccentric fury. Weight of Love is the sort of uproar most bands would save for a big finish. But the Keys – singer-guitarist Dan Auerbach and drummer Patrick Carney – and their co-producer Brian Burton, . Danger Mouse, show their nerve upfront in a mounting tension of acoustic guitar and painted-desert ambience, cut open by Auerbach’s machete-treble twang and battered by Carney’s unhurried John Bonham-like rolls. When Auerbach finally gets to the chorus, he sings it as high-pitched warning ( Don’t. In every other way, that turmoil is a giant step into the best, most consistently gripping album the Keys have ever made. And that includes their 2010 smash, Brothers.

Produced by Patrick Carney, Dan Auerbach & Danger Mouse.

Turn Blue, the 2014 successor to their down-and-dirty international blockbuster El Camino, is one of those trips, a churning psychedelic excursion that slowly pulses in any color you like. Those colors spread out slow and low as Turn Blue gets underway via "Weight of Love," sounding not at all unlike Pink Floyd's "Breathe in the Air," a deliberate comparison the Keys return to often throughout the album, letting it decorate fleeting moments and infuse full songs ("Bullet in the Brain," the first single pulled from the LP, hits many.

The fact that Turn Blue, the eighth album by The Black Keys, is full of songs about being hurt by a woman shouldn't be all that surprising. Although they, sonically speaking, haven't been a dirty, ng blues band in a few years now, they remain one at heart, which is why Dan Auerbach and Patrick Carney have continued to mine the th man" perspective. Although it follows the catchy, glam rock-indebted El Camino, Turn Blue is far more akin to 2010's Brothers. Like Turn Blue, the latter album was written during a period of personal turmoil (Carney had just gotten divorced from his first wife, and was also harboring some acrimony towards Auerbach related to his own 2009 solo album, Keep It Hid), but the duo rekindled their relationship and made what would be their commercial breakthrough.

With Turn Blue, The Black Keys’ highly-anticipated eighth album, it’s tempting to zoom in on a single turning point in the Akron duo’s timeline to figure out how they made it here. The obvious choice is 2010’s dusky Brothers, vocalist/guitarist Dan Auerbach and drummer Patrick Carney’s actual big come-up, eight years after debuting with The Big Come Up in 2002. The thing about the Keys, though, is that they still sounded like themselves even when their choruses became exponentially more robust. Auerbach and Carney simply became so good at what they do that they were no longer anyone’s secret.

Check Out The Black Keys' Upcoming Tour Dates. But the mood shifts on the ­dancefloor-friendly "In Time," and it keeps on shifting from there. Even so, the prevailing atmosphere of "Turn Blue" is downbeat and spooky. El Camino"'s success, and the resulting inflation of expectations, seems to have had a depressive effect on Auerbach and Carney.

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